Hans Ulrich Obrist (b. 1968, Zürich, Switzerland) is Artistic Director of the Serpentine Galleries, London. Prior to this, he served as Curator of the Musée d’Art Moderne de la Ville de Paris. Beginning with World Soup (The Kitchen Show), St Gallen, Switzerland (1991), Obrist has curated more than 300 exhibitions, including the “Do It” series (1993–), whose manifestations now number fifty; Take Me (I'm Yours), London (1995), Paris (2015) and New York (2016); and the Swiss Pavilion at the 14th International Architecture Biennale, Venice (2014). He has also co-curated the “Cities on The Move” series (1996–2000), Laboratorium, Antwerp, Belgium (1999); the operatic group exhibition Il Tempo del Postino, Manchester (2007) and Basel (2009); and “The 11, 12, 13, 14, 15 Rooms” series. Obrist’s i, which protests the disappearance of handwriting in the digital age, has been taking place on Instagram since 2013 (@hansulrichobrist).
In 2011 Obrist received the CCS Bard Award for Curatorial Excellence, and in 2015 he was awarded the International Folkwang Prize. Most recently he was honored by the Appraisers Association of America with the 2018 Award for Excellence in the Arts. Obrist has lectured internationally, and is contributing editor to several magazines and journals. His recent publications include A Brief History of Curating (2008), Do It: The Compendium (2013), Mapping it Out (2014), Ways of Curating (2015), The Age of Earthquakes (2015), Lives of the Artists, Lives of Architects (2015), Mondialité (2017), Somewhere Totally Else (2018) and The Athens Dialogues (2018).
Image: Hans Ulrich Obrist by Juergen Teller
The Graduate Art Seminar is a forum for graduate students and members of the ArtCenter community to enter into dialog with internationally recognized artists, critics, and art historians. The Seminar is a core component of ArtCenter's Graduate Art program. The Seminar is also free and open to the public.
ArtCenter's Graduate Art program is based on intensive studio practice and rigorous academic coursework. The program is distinguished by its low faculty-to-student ratio that provides students with the attention and feedback they need to refine and achieve their artistic goals. Faculty and students are artists working in all genres—film, video, photography, painting, sculpture, performance and installation. A significant number of alumni have achieved national and international acclaim and often return to share their insights and expertise as visiting faculty and guest lecturers.